Metropolis

 Metropolis

Metropolis

Click here - Trailer of the new Kino version of Metropolis we saw

There have been several different versions of Metropolis released over the year. This is the Complete Metropolis released in 2010. Details about the restoration of this cut from Wikipedia below:

On 1 July 2008 film experts in Berlin announced that a 16 mm reduction negative of the original cut had been discovered in the archives of the Museo del Cine in Buenos Aires, Argentina. The negative was a safety reduction made in the 1960s or 1970s from a 35 mm positive of Lang's original version, which an Argentinian film distributor had obtained in advance of arranging theatrical engagements in South America. The safety reduction was intended to safeguard the contents in case the original's flammable nitrate film stock was destroyed. The negative was passed to a private collector, an art foundation and finally the Museo del Cine.

The print was investigated by the Argentinian film collector/historian and TV presenter Fernando Martín Peña, along with Paula Felix-Didier, the head of the museum, after Peña heard an anecdote from a cinema club manager expressing surprise at the length of a print of Metropolis he had viewed. The print was indeed Lang's full original, with about 25 minutes of footage, around one-fifth of the film, that had not been seen since 1927.

Under the auspices of the Friedrich-Wilhelm-Murnau-Stiftung, Berlin's Deutsche Kinemathek and Museo del Cine, a group of experts, including Anke Wilkening, Martin Koerber, and Frank Strobel began combining the newly discovered footage with the existing footage from the 2001 restoration. A major problem was that the Argentinian footage was in poor condition and had many scratches, streaks, and changes in brightness. Some of this they were able to overcome with digital technology, which would not have been possible in 2001. The reconstruction of the film with the new footage was once again accompanied by the original music score, including Huppertz's handwritten notes, which acted as the key resource in determining the places in which the restored footage would go. Since the Argentinian print was a complete version of the original, some scenes from the 2001 restoration were put in different places than previously, and the tempo of the original editing was restored.

In 2005, Australian historian and politician Michael Organ had examined a print of the film in the National Film Archive of New Zealand. Organ discovered that the print contained scenes missing from other copies of the film. After hearing of the discovery of the Argentine print of the film and the restoration project, Organ contacted the German restorers; the New Zealand print contained 11 missing scenes and featured some brief pieces of footage that were used to restore damaged sections of the Argentine print. It is believed that the New Zealand and Argentine prints were all sourced from the same master. The newly-discovered footage was used in the restoration project. The Argentine print was in poor condition and required considerable restoration before it was re-premiered in February 2010. Two short sequences, depicting a monk preaching and a fight between Rotwang and Fredersen, were damaged beyond repair. Title cards describing the action were inserted by the restorers to compensate. The Argentine print revealed new scenes that enriched the film's narrative complexity. The characters of Josaphat, the Thin Man, and 11811 appear throughout the film and the character Hel is reintroduced.

The 2010 restoration was premiered on 12 February 2010 at the Berlin Friedrichstadtpalast. Huppertz's score was performed by the Berlin Radio Symphony Orchestra, conducted by Frank Strobel, who also re-recorded it for theatrical and home video release. The performance was a gala screening as part of the 60th Berlinale and had several simultaneous screenings. It was also shown on an outdoor screen at Berlin's Brandenburg Gate, as well as at the Alte Oper in Frankfurt am Main. The Brandenburg Gate screening was also telecast live by the Arte network. The North American premiere took place at the 2010 TCM Classic Film Festival in Mann's Chinese Theatre in Los Angeles on 25 April 2010.

The restoration has a running time of 148 minutes (or nearly 2.5 hours) and was released internationally on various DVD and Blu-ray editions beginning in 2010.